186 results where found for «Los Prisioneros»


Friend (Amiga)

Music piece by:
Miguel Bosé
Testimony by:
Carolina Videla
Experience in:
« I was 19 years old when they arrested me. I was one of the youngest political prisoners at the time in Arica. »
[...]
« Even in the worst moments, a song can calm you down, it can hug you. He was on the other side but I felt him close by. »
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Everything Changes (Todo cambia)

Music piece by:
Julio Numhauser
Testimony by:
Carolina Videla
Experience in:
« My guitar accompanied me for the entire time that I was deprived of freedom. It was like a magnet. In the afternoon we would sing and play in the courtyard. »
[...]
«  (Cuban) Poetic song form typically featuring voice and guitar, originated in 19th-century Cuba with roots in medieval Europe. The Nueva Trova emerged after the Cuban Revolution and became closely connected with Nueva Canción. »
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The Clock (El reloj)

Music piece by:
Roberto Cantoral
Testimony by:
Ana María Arenas
« The day I was captured, after the first torture session, I asked for permission to sing a Christmas carol, the name of which I cannot remember. I did it to let one of my captive friends know that I was also at the Venda Sexy. »
[...]
« Los Panchos »
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The Apparition (El aparecido)

Music piece by:
Víctor Jara
Testimony by:
Pedro Mella Contreras
« When they took me out to physiotherapy treatment, I sang some verses of the song ‘The Apparition’ loudly: »
[...]
« Los Ríos »
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The Letter (La carta)

Music piece by:
Violeta Parra
Testimony by:
Pedro Mella Contreras
« In January 1987, when solitary confinement was lifted and we were able to receive visitors, a brother who lived in Santiago travelled to see me. »
[...]
« Los Ríos »
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Cantata Santa María de Iquique

Music piece by:
Luis Advis
Testimony by:
Alfonso Padilla Silva
« Between March 1974 and July 1975, I had the opportunity to arrange about 200 songs and direct the production of the Cantata de Santa María de Iquique. In truth, the prison was my conservatoire. That’s where I learnt the basics of the profession of musician. »
[...]
« That’s how we took records into the prison by Atahualpa Yupanqui, Mercedes Sosa, Chico Buarque, Carlos Puebla, Joan Manuel Serrat, Mikis Theodorakis, Joan Báez, Violeta Parra, Daniel Viglietti and the main figures of the Nueva Canción Chilena such as Victor Jara, Patricio Manns, Isabel and Ángel Parra, Rolando Alarcón, Quilapayún, Inti-illimani, Aparcoa and Illapu, among others. »
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Under my Skin (A flor de piel)

Music piece by:
Julio Iglesias
Testimony by:
César Montiel
Experience in:
Colonia Dignidad, April 1975
« At the beginning of the 1970s, I met Carmen, my comrade, my love, at the Juventudes Comunistas of Talca. We had the life of young idealists, sharing our everyday, living this revolutionary process so beautifully. »
[...]
« Carmen told me later that she would also have this song sung to her. This experience brought us closer together as a couple. »
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Swan Lake

Music piece by:
Piotr Ilich Tchaikovski
Testimony by:
César Montiel
Experience in:
Colonia Dignidad, April 1975
« In Colonia Dignidad, they played Swan Lake by Tchaikovsky a lot. It was very repetitive. To several comrades, it reminds them of torture. It is not very enjoyable for us to listen to this piece at this life stage, because it transports us back to all the suffering, to what they did to us. »
[...]
« Lago de los cisnes »
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Swan Lake

Music piece by:
Piotr Ilich Tchaikovski
Testimony by:
Carmen Espinoza Alegría
Experience in:
Colonia Dignidad, April 1975
« When we arrived at Colonia Dignidad, they threw us into a shed. I despaired, took off my hood and a guard gave me a slap so hard that I fell to the ground. This was my arrival at the Colonia. »
[...]
« El lago de los cisnes »
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Recinto: Empresa Nacional de Explosivos / ENAEX / Ex DuPont
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